Long after Klaus died, they'd made a documentary about him. I saw a screening and forced myself upon the makers, insisting I must be included on their project. They gave me a live show tape to work on a song: I used only the vocal (still truly amazed that this is a live club vocal) and did layers and layers of synthesizers late one night. 5 hours later, it was done and I could not stop listening to it; I really like it and it holds up to this day. Oddly enough, I think it was this very track that brought my friend Fiona Apple to think of me for producing her next album.
I grew up playing guitar, but for some reason I often end up on keyboards, at least in public view. I'm still a guitarist, mainly, and here's a track I played for a great singer, Kim Manning. It's not standout playing, but I'm pleased to report Mr George Clinton came to the session and asked who the guitarist on the track was...!
Just a beautiful track, happy to have contributed this mournful horn part on the unusual 360 Systems Keyboard.
Here on the Hammond organ doing a fair Korla Pandit impersonation.
Arranged for a song that was never released, we used this all-Mellotron string arrangement for the soundtrack to the Melodrama documentary by Dianna Dilworth.